|
|
|
|
|
|
| Here are some pages out of a late 1920s German "Fancy Lamp" catalog, containing many general purpose and highly decorative lamps. Also note the two pictures of suggested uses for these miniature lights- in scenes built into a box lid and also in small hanging baskets of lighted fruit. Most of the particular lights shown here are quite hard to find today, and are highly collectible. They are wonderful examples of the fine German craftsmanship of the era. The Jack O' Lantern is particularly rare, as are some of the standing figures. All examples are hand painted clear glass. Except for the rose in the lower right hand corner of the first picture, the rest of the lamps in that group are standard base (regular household) size bulbs. Uses for these larger lamps included hallway, front door and wall fixtures. | ||||
 |
 |
 |
 |
 |
| THE INTERSTATE ELECTRIC NOVELTY COMPANY imported these lights circa 1915. This company, one of the 15 that later merged to become NOMA, was one of the "biggies" in the early history of electric Christmas lighting. Formed in 1912 by the merger of the Franco-American Electric Company and Alfred Wolfe and Company, they made and distributed many forms of decorative lighting, including regular and figural Christmas lamps. In 1920, the Company changed their name to The Franco Electric Company and sold the Yere-Round line of decorative lights. In 1923 their name was changed to Yale Electric, then in 1925 to Premo Electric. I personally have not seen any lighting outfits with the Yale name on them, but there are many examples of Franco and Premo brand outfits. By 1926, the company was a part of NOMA. The lights in this set are carbon filament German outside painted clear glass, with composition fiber insulators. | |||
 |
 |
 |
 |
| Outside of box | End label of box | Inside view | 1913 Franco Ad (High resolution image-longer download time) |
| A very early form of electric tree topper, this 1919 offering from Propp actually was intended for use as a decorative feature in wall lamps. It was offered as shown in one of three color schemes: Sunset (far left) Starlight (second from left, in box) or Sunrise (third from left). When it was discovered that it could also be used as a topper, the Company re-boxed it in a package with a Christmas holly motif and sold it with the lamps as shown in the far right box, and advertised it as the Propp Glo Lite Rainbow Tree Topper. It was actually a great marketing idea- selling four different products merely by supplying different colors of lamps with it. | |||
 |
 |
 |
 |
| Including the clear and white milk glass, pictured below are all of the known varieties of true colored glass exhaust tipped carbon filament Christmas lamps known to exist. Shades may vary somewhat from sample to sample, but the basic colors remain true. When unlit, specimens appear darker, and the true colors will shine when power is applied. The red lamps can be extremely dark in some specimens, almost to the point of appearing black. The purple, yellow and amber lamps are the rarest of all of the colors, and are very hard to find. All of these examples are Japanese or German, have fiber insulators in the base, and are circa 1912. | ||||||||
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
Here's a bit of information on the various light sockets that can be found on sets from this era. Please remember that there are many variations of these sockets, and these illustrations are just a few examples of some of the most common styles to be found. |
|||||
 |
 |
 |
 |
 |
 |
| Made of white glazed porcelain, this type of socket is by far the earliest. The example in the picture is from a parallel wired outfit, hence the four wires coming out of the bottom. Series wired outfits are far more common, with just two wires to each socket. You'll find this type of white sockets on pre-1905 sets. | Next in line is the green glazed ceramic socket, used on outfits from 1905 to about 1915 or so. The green color was far more attractive on the tree than the white, but the ceramic was more shatter prone than the porcelain and was easily damaged. | This is a wooden socket, used to my knowledge only on the battery powered outfits. Use of these sockets started in about 1915 and continued until 1935, when the battery sets were no longer manufactured. | An early composition socket, this style is often confused with wood but is much heavier. Composition, the most common form of lighting socket found in sets from this era, was offered in many different shapes. It was the forerunner of today's modern plastic- sturdy and durable, but can be and often was damaged by excessive heat. It is almost always found in green and sometimes (but rarely) in red. | A red and green mottled version of the socket described above. Mottling was popular through about 1940, and was also offered in Bakelite after 1928. | The most commonly seen style of composition socket, this style was used until the mid 1930s. |
|
End of Category Questions, comments or suggestions? E-MAIL ME HERE! CLICK HERE FOR THE TABLE OF CONTENTS PAGE AND LINKS TO ALL PAGES ON THIS SITE TABLE OF CONTENTS HISTORY THE TIMELINE MANUFACTURER'S HISTORIES THE PATENT PAGES THE PRE-ELECTRIC ERA VINTAGE ADVERTISING THE LIGHT SET GALLERIES RELATED LINKS |
